![]() World & Nation Detroit honors COVID-19 victims with public park memorial In some of the areas where we shot, every fourth house would have someone in it and the rest was just devastation and blight.” “These homes where there had been multigenerational families that were prospering - that was just gone. “I remember when we got to Detroit, leaving the main road and dipping off into a neighborhood and seeing a pack of dogs just in the middle of the street,” he says. Shooting in Detroit, the scars from that dark chapter in the city’s racial history were inescapable, says Cheadle. The before-and-after pictures are deeply enraging.” “They just ran these multilane freeways right through. ![]() “That whole area of town, Black Bottom and Paradise Valley, they just destroyed it,” Soderbergh says. It’s not based on a true story but the backdrop contains real events.”Īnother all-too-real element of that backdrop involves the destruction in that time period of Detroit’s once-thriving Black middle-class neighborhoods of Black Bottom and Paradise Valley, which is referenced in the film and lends Cheadle’s character an added moral weight. “But Don and Benicio’s characters are completely fictional. “There are some distant parallels to real people, and the references to things like the Purple Gang and various other elements of Detroit are real,” says Solomon, who did extensive research and consulted with experts on that period of the Motor City’s history. Steven Soderbergh and the stars of the new HBO Max noir thriller ‘No Sudden Move’ on the twisty narrative and shooting in the middle of a pandemic. Movies Why you shouldn’t text while watching Steven Soderbergh’s ‘No Sudden Move’ ![]() The Justice Department did indeed come down on the Big Four auto manufacturers for conspiring from 1953 to 1969 to delay the manufacturing and installation of devices to control pollution in their cars. ![]() If that’s true, you might wonder, did everything we just saw really happen? Big played, in an unbilled cameo, by Matt Damon - orchestrated the theft of the blueprints to try to keep them from falling into the wrong hands.īefore the end credits, text rolls on the screen explaining that years later the government sued the major auto manufacturers for conspiring to conceal evidence of pollution from cars and deliberately holding back catalytic converter technology. The major automakers - led by a shadowy Mr. The document Goynes and Russo have pilfered contains plans for a catalytic converter, an innovation that will enable cars to emit less pollution. In the film’s last act, the full dimensions of the scheme finally come into focus, and what appeared at first to be the story of a minor heist gone wrong is revealed to be a sprawling tale of power, systemic racism and corporate greed. ![]()
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